designer

I COULD LIVE HERE: LEANNE FORD’S STUDIO SHED

by Michel Van Devender May 21, 2021

Ahhhh…. a creative space… it has been top of mind for me, especially since COVID. Short of moving to my own apartment, which I have threatened to do by the way… #momoftheyear, it seems like a more realistic and economical option. I imagine this magical, mystical place where I’m all alone, can hear my thoughts and feel inspired to make and create. In this place that only exists in my mind, there are no dirty dishes, no empty food wrappers, no soiled, smelly shoes, no worn clothes scattered on the floor. Absolutely none of this. Only beautiful, collected and created things.

For the past seven years, we’ve lived in modern homes with open floor plans and multi-functional, efficient spaces. We’ve intentionally designed our new homes with the goal of using the square footage, with very little wasted space. And in case you didn’t know, that’s code for nowhere to go to get away from everyone! It seemed like a great idea until the pandemic, and I’m sure when life is back to all the people leaving for work and school, it will be fine again. But for now, I cannot stop dreaming of my very own DETACHED studio space.

As if I’m destined for torture, I’m scrolling on the Domino website and find a recent feature where Leanne Ford shares the process of converting her Pennsylvania henhouse shed into a dreamy rustic pottery studio and creative space. I. Am. In. Love! I would actually live in your shed Leanne and am available to move in right away. Just add a cute little vintage daybed with a French mattress. I think it would fit the decor nicely, don’t you? The gorgeous images have me transported, in fairy-tale fashion, to a studio paradise. As I read through the story, it just got better. Much of the materials used for the rehab project were found in the home’s basement and shed – french doors, terracotta tiles, a bar cart, vintage art, etc. I mean, what the luck! In the older, historic homes I’ve owned, there was nothing so cool and usable left behind.

Leanne goes on to say, you can convert a shed used for storage into a place you’d want to hang in a matter of a weekend. Hmmmm… I’m not so sure about that, but I guess she hasn’t seen our container shed or have the dilemma of figuring out where to then store all of the necessary and practical items in said shed. Albeit, her shed looked to be chock-full of actual junk and required a big clean out and extensive clean-up. I’m sure she also has other storage options.

I do love the Fords, their enviable style and how they make everything DIY look so chic. Who else, but Leanne Ford, can clean a filthy shed in a top to bottom all white outfit? For more details on the renovation process, check out Domino’s full story and the Ford’s video. Endless and lovely Leanne Ford inspiration can be found on her Instagram account – @leannefordinteriors and her website – leanneford.com.

•All photography by Erin Kelly for Domino.

MICHEL'S HOMES

HOME TOUR: 5TH STREET

by Michel Van Devender April 28, 2020

Hello and welcome to our modern black home! Thank you for stopping by… I feel so honored you’re here! I frequently have people inquire about our house, curious about how it came to be and interested in a tour of the interior spaces. I’m thrilled and excited to share the story and to give you a tour here on the blog!

Location

Our house is located in a historic, urban neighborhood called Elizabeth in Charlotte, North Carolina. Elizabeth is our city’s second oldest street car neighborhood. It features an eclectic mix of house styles, including Colonial Revival, Tutor Revival and Craftsman, with a strong representation of the Bungalow style. In Elizabeth, there have been scarce examples of modern architecture up until recent years. As you might imagine, our modern black house is a bit of a juxtaposition to the more traditional, historic surroundings; however, by architectural design, it intentionally relates to the neighborhood through scale and some of its design features.

Our Old Old House

Prior to designing and building our modern house, we lived on the same street, five houses down, in a 1920s Colonial Revival that we spent nearly six years meticulously renovating. If you’re a person who loves home projects, you know what happens when a renovation is complete… that’s right, it is time for new adventure! AND, just as much as I love design, I love change and a new project!

When we started considering what our next move would be, we knew we desired a house more modern than the ones we’d lived in previously. I absolutely love the character and stories of historic homes, having lived in and renovated several before… the old creaking wood floors, the perfect patina of the burnished brass door hardware, the beautiful, single pane wavy glass windows and the multiple layers of paint that add a certain depth and texture to the walls. On the other hand, we were equally as well versed in the old house challenges – the small, segmented, sometimes dark rooms, the tiny closets and lack of storage and the old house energy consumption (yikes, we had paid those bills for many years!). We dreamed of a more open floor plan with lots of natural light. We wanted a house where you couldn’t stand at the windows in the winter and feel the cold air rushing into the house. And, we wanted closets and storage!

For The Love Of Modern

My husband and I have always loved modern architecture with its signature clean lines, open floor plans and large windows that bathe the interior in natural light (give me all of the natural light please!). For several years, we had toured many of these architectural stunners in our city through a local modern home tour called the Mad About Modern Home Tour. It is a rare opportunity to step beyond the front door of some of Charlotte’s coolest modern homes and see how people live in these spaces. Some are original, some are renovated, and they are all uniquely different and equally as interesting. We fell head over heels in love with the midcentury modern style! We were starry eyed and full of hopes of purchasing our very own midcentury house to renovate. Over the course of a year, we spent much of our free time searching the MLS for new listings. We were obsessed! There were nearly a half-dozen that came onto the real estate market in our area during this time that we had the chance to view. We quickly learned we’re not the only ones who adore these modern gems! It was a competitive market as the mid-century modern house had become a popular and highly sought after style of home in Charlotte. We made offers on at least three of these houses, but at the end of the day, we came up empty handed.

Change of Plans

Clearly the stars and timing weren’t aligning for a midcentury modern move so we were back to the drawing board. We decided to take a much needed break from looking at houses when an opportunity to purchase a house on our current street unfolded. It wasn’t exactly what we had in mind. The small brick cottage was badly rundown and had sat empty for several years after the owner, a sweet and adorable lady in her 90s, Ms. Harriet, had passed away. She was a well-known and beloved Elizabeth resident who had grown up as a child in the very same house she lived in up until a couple of months before her death. It was most certainly not the modern house we were dreaming of, but it was cute, and we loved the story of the house.

Midcentury modern what? It didn’t take long for us to pivot and dream a new vision, seeing great design potential in the house. Loving our urban neighborhood, we jumped at the chance to purchase the house. I spent time developing these grand plans of keeping some part of the original house, updating it with something new out the back. I was warned by our architects and builder this might not be possible, but I ran with my idea and envisioned how we could take some part of the original cottage and pair it with a modern addition… the perfect marriage of the old and the new, contrasting styles. I love a great juxtaposition. It would be a cool, eclectic mix! I even had a vision board and Pinterest examples of how this had been successfully done with other houses. I was feeling stoked, inspired and raring to get started on this new project.

The Reality

Unfortunately, the nay-sayers were right! Our excitement was quickly and disappointingly deflated. I’m often reminded – there’s the dream, and then there’s the reality! As we moved forward in the design process, we learned that there were several, rather large, obstacles in moving forward in this conceived direction with our newly purchased cottage. The first being that the original house was in substandard condition, having sat for years in need of major repairs. The brick on one side as well as on the back of the house was mostly gone, remnants of brick strewn all over the ground. The ceiling in the house was caving in due to a water leak that started in the attic and went undetected for several weeks while the house sat empty. The second, and most difficult obstacle to overcome, was the house was sitting on the current property line. Long story short, there are rules around how much you can add onto a house when this is the case without having to adhere to the property setbacks (i.e. move the house). The original footprint of 1200 sq. ft. would not accommodate our family of five, including three growing boys. Even if it did, renovating the original house would not make sense and would be cost prohibitive. We went back and forth. Ultimately though, after meeting with our architects, talking to our builder and looking at our options, including the financial implications, we came to the unfortunate conclusion that the house would have to be torn down. There was no part we could save. A bit of neighborhood history would disappear. Sadly, this is not unheard of in older neighborhoods. After years of disrepair, houses can reach the point where they simply cannot be salvaged.

Modern Construction

Since using part of the original house was no longer an option, we knew we would be building a new house. For us, this meant revisiting our dream of a modern house for our family. We quickly got excited about the idea of a clean slate and a new construction project. Yay, a new project! And, I was even more excited about the design/build process. From the architectural phase to the construction phase to the interior design phase, I loved every, single, last part of building our modern house! Even the crazy, things never go as planned, the problem solving, the collaboration, the quick and endless decision-making. Even the sh#* show part of it as construction is messy… that too! I loved dreaming a vision, the infinite planning, weighing the selections, and making the design decisions, each and every one of them. Routine visits to the construction site, watching the vision unfold, seeing the end product and moving into the house to make it into our family home. This is my kind of creative fun! And, NO, I’m certainly not going to lie to you and say that it was all rainbows and sunshine either, because it was not. However, I liken building a house to birthing a child in that you forget about the unpleasant parts of it, and the end result makes it so worth any temporary discomfort or pain!

Our Modern House

It took nearly ten months from start to finish to design and build our current home. Designing and creating this modern black house was a dream come true for our family! It was rewarding and inspiring to collaborate with such a talented and creative group of people who tirelessly and passionately worked together to see a vision to fruition. We couldn’t be happier with the end result and have so much gratitude for our family home and the memories we are making here. As we move forward on the construction of our next black house, there will be many parts and pieces of this house we’ll be carrying with us to our new home. I hope you enjoy the tour!

P.S.

The images below are staged! Camera angles are planned and are forgiving. Our house does NOT look like this on a daily basis! Please know if you walked into our home right now you would find our beds unmade, clothes randomly scattered on the floor, clean laundry folded on our sofa (it sometimes sits there for several days), dirty dishes in the sink, toys and art supplies strewn all over the house, a weeks worth of mail and papers stacked on our kitchen island, etc., etc. On this very day, our front and back yards look like an explosion of outdoor kids’ stuff. Such is living a real, beautiful life!

MICHEL'S HOMES

THIS OLD HOUSE OF MINE

by Michel Van Devender January 23, 2020

As time steadily marches onward into 2020, I’ve been in my typical beginning-of-the-year purge and organize mode. In the process of decluttering and tackling the mountain of papers, I ran across these photos of our previous house that were published in a local magazine, Charlotte Home + Garden, in April of 2012. I unexpectedly found myself being swept up in a wave of sentimental emotion.

As I stepped back in time, turning the glossy magazine pages, I was bombarded by flashbacks of our family living in the house. An entire spectrum of feelings swelled inside of me, as I grappled with the overwhelming nostalgia. After eight years and a total renovation, we sold and quickly moved onto the next project, our current house. If only I could go back in time and write a letter of appreciation to this old house of ours, thanking her for embracing and sheltering our family, providing a safe, beautiful place to haven, love and create! This house was a reflection of who we were at the time. Our homes often tell a story of our lives… how they are, and then before we know it, how they once were, memories like DNA stored in the walls and floors. I always tell my kids that home is wherever we are, together. I do believe this, but in this moment I find myself grieving this home, five years after we’ve moved… reflecting on what once was.

So much has changed since these images were taken – the passage of time, our family, where we live, my design aesthetic. It’s wild to look back at images of our house from nearly a decade ago…. the saturated color, the pattern layers and mix, the painted pink and orange striped bathroom, the bold graphic wallpaper, the dark lacquered walls, the textiles, etc. I still love so much about that old house, the lively interiors, the fond memories, the little red heart my husband painted on the wall in the corner of my middle son’s room. Two of our boys were born at a hospital a couple of blocks away and brought home to this 1920s two-story house. At the time of the photo shoot, my youngest son was still a baby, and oh how much I loved his little sunshine yellow nursery. In a corner of that room, we spent some of the sweetest hours rocking back and forth together in a wooden glider. The interior design was perfect for the house and for that time in the life of our family. The memories and the interiors are so closely intertwined… all denoting a point in the past.

The passage of time is such an odd thing. Looking back, it seems like yesterday that we were there in the house, and then at other times, like it was twenty-something years ago. The familiar and reliable rhythm of good ole time, marked by the relentless clock ticking and tocking forward… always rotating directionally clockwise. The steady sound of it is deafening. I cover my ears to avoid the painful reminder of time passing. Time is an enigma. And perhaps, it’s the enigma of life. Much of the present seems to creep by in slow motion. There have been too many times to count mothering toddlers that I silently moaned and cursed time, indignantly claiming that hours had been added to my already long day. And then, glancing back in the rear view mirror, it’s all happened at a frenzied, warped speed. The lines are all blurred and time has been manipulated with exposure photography. You attempt to capture all of the moments by taking all of the pictures and writing down all the things, somehow forgetting so many of the details. What kind of cruel joke is that? I feel like the past thirty years of my life have been sandwiched into a ninety minute movie, a B movie at best, only some of the highlights made the final cut. The remaining memories are carelessly strewn across the editing room floor. As the movie is projected onto the big, white screen, I watch in disbelief as the rapid change occurs in each character. I’m here, right now, in the present, frantically crawling around on that cutting room floor, attempting to gather each moment in hopes of splicing them back together so I can see the missing parts of the story. It’s a fruitless attempt at best as the reel cannot hold it all. There’s no way to change the flow of time. So much is seemingly lost.

And ironically, even with these sentimental musings, the fist-fight with time prevails. I seem to be impatiently pressing time forward, forging change, restless with the same old same old. On some level, there’s a discontentment and boredom, always lingering just beneath the surface, churning and bubbling. It sometimes feels like a throbbing tooth ache that cannot be ignored. Like my wandering soul will not be settled and is trapped beneath the weight of wounds from many different lives lived. I glance out into the world, and I see people swirling and swimming around at a frenetic pace, searching for their ground wires. I’m right there with them. We have all unconsciously stepped onto the big bus with the broken brakes. It’s the fancy new Tesla bus that’s programmed to drive in circles around a NASCAR track. In a world that seems to value the going, the doing and the achieving, there is less value attached to the being. Simply stopping to BE in the present moment.

When I finally pause, looking up from the magazine pages and awake from the trance, I can hear a soft, comforting voice whispering, “Be still my child. Be still. I know you. I am with you. I love you. I am here now. I am here tomorrow. I am here always.” It is by this Divine love and grace I have moments of clarity and a deep primal knowing. There is a realized longing for a connection to my timeless self and an Eternal Light, that which transcends time and space. And, it is in those moments, I’m calm and settled, continuously reminded that what I’m searching for is always right here with me. I am okay. You are okay. We are all okay. For that, I am forever grateful. AND, I’m also grateful for this old house of ours.

Magazine Article Written By: Blake Miller

Photography By: Chris Edwards

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